The first thing you are probably asking yourself is: “Wait a minute? The Amish have opinions about drawing hands?” I honestly have no idea if the Amish ever said anything about drawing hands, and if they did, they wouldn’t blog about it. I got this headline from a Blog Content Generator and it made me laugh… so I decided to use it as a topic headline. Another truth I must share with you is that many times when I draw hands, the results sometimes make me laugh (but mostly it makes me cry).
Drawing hands can be very difficult. Especially for me. When I was younger, I thought I was pretty good at drawing hands. The fact is, I practiced it, and practiced it, and found I could do it pretty well. As the years passed, I fell out of practice of hand drawing, and as a result I find the effort of drawing hands to be just that – an effort.
Before I continue with writing this post, I must admit (just to avoid any confusion) that I am not listing 17 things the Amish were right about drawing hands. I will, however, press the importance of why hands are important in an illustration. Cartoonist Christopher Hart wrote in one of his best-selling how-to books: How to Draw Comic Book Heroes and Villains, “I can evaluate the caliber of an artist by his or her ability to draw hands – and so can everyone else.” By the way, if you are an aspiring artist, I highly recommend adding this book to your library.
In my early offerings of my on-line comic strip Hospitality Included, I discovered the importance of drawing hands (even cartoony hands). I lost a potential reader due to my lack of attention to the characters’ hands. This reader wrote a comment under one of my offerings how my hands were so amateurish that he would never log in and read another one of my Hospitality Included strips. I needed to delete that comment due to the fact that this comment was so explicitly written (language-wise), that it could not remain on a family-friendly comic strip.
Needless to say, I learned early how hands can make, or break, an illustration. As I wrote previously, I still have issues with drawing hands. Fortunately, I recently discovered a great resource (aside from the book I listed above) on how to draw hands. Another positive thing about this resource is that it is FREE. Cartoon Fundamentals: How to Draw Cartoon Hands written expertly and concisely by ,it is a wonderful tutorial about drawing hands. And although the tutorial is about correctly drawing cartoon hands, I find the techniques could be useful for many types of illustrated hands.
I know… this is a long-winded post about sharing a couple of links, but I wanted to demonstrate how important it is that hands are correctly drawn. And one of these days I will actually accomplish this feat again. To help me with this, I have bookmarked this resource, and I recommend any other artist who finds themselves having troubles with drawing hands to do the same thing:
Cartoon Fundamentals: How to Draw Cartoon Hands
If you have any other resources that could help me, and others, please share them in comments section of this post.
By the way, I drew the illustration at the top of this post. If you are a blogger and would like a custom illustration for your next post, or… if you just want an illustration for your avatar or website… contact me. I’m always Looking To Draw.
While almost everyone has access to some sort of graphic design software — largely due to the Internet, and with that kind of access there appears to be a wide range of folks who now claim to be graphic designers. While many of them are professional designers, many more are just “Photoshop-pers.” Putting it another way, almost everyone owns a wrench. I don’t know about you, but when my car breaks down, I always take it to a professional mechanic. I always seem to get better results.
So why should you as a business professional use a professional designer rather than just go to your nephew who owns a copy of Illustrator? Well, here are just a few good reasons:
As a professional designer, s/he knows that it takes more than just drawing a “pretty picture”, or just throwing some pictures and text onto a blank page with the hope that the final result is “good.” The professional designer also acts as a consultant. As a consultant, s/he will ask questions, learn more about the client, the client’s company and customers, and learns what goals the client wants to reach. With all the answers in place, the professional designer takes that information and guides the project to the place that best achieves the client’s goals.
A professional designer keeps up-to-date with the current design trends. And while s/he knows what is trendy today… trendy may not be the answer to achieve the client’s goals. Trendy may just stunt the client’s needs as the final project may just reach a small portion of the market. If that’s the goal, that’s GREAT. However, if the client’s goal is to reach a wide market… you get the point. The professional designer does his/her research. That research often involves reviewing the client’s previous projects, and viewing the client’s competition. The professional designer learns all that s/he can about the goal then takes that information to produce the goal-reaching result.
The professional designer builds a relationship with the client. Although the client’s nephew already has a built-in relationship with his uncle, it doesn’t mean that he will know much about the his uncle’s business. The professional designer will keep in contact with the client as often as possible. S/he will ask the right questions to learn more about the client’s company, the product or service offered, and about the customers. The professional designer cultivates the relationship to the point that s/he will not only produce the project, but will become a “partner” to produce a final project that will exceed the client’s goals.
There are many other aspects to the differences between the professional designer versus the “Photoshop-per”: Creativity, technical skills, knowledge of color, experience, outside-the-box thinking, etc. All great qualities of the professional designer.
As a young designer, I worked for a great art director. One day I presented, I thought, a final version of a project to him. He looked it over, slowly turned his head, looked me in the eye, pointed to an image on the design and asked me, “Why did you put this image here?” My rookie response was: “I think it looks good.” That turned out to be the wrong answer. I was taught a painful lesson that day: A professional designer knows that just because something might look good, it may not be the right look to achieve the goal.
So ask yourself, when you are ready to begin your next project: “Who will be of the most help to me? My nephew, or a professional designer?”
I’d like to know what you think. Leave a comment and share why you think a professional designer is the right choice.
— Mike Barnes is a professional graphic designer and illustrator with over 15 years of experience. His online portfolio can be viewed at www.lookingtodraw.com.
I have decided to aggressively search for a new job. With that in mind, I have just finished creating my new resume. My previous resume was just a boilerplate, text-only listing of my skills and experience… with nothing that would help me stand out from other applicants. This new resume, I think, represents a graphic designer — it’s much more graphical.
So, if you are looking for a new graphic designer, art director, senior graphic designer, or know someone who is, please download the PDF version of my resume. And thank you for your consideration.
I found this great chart recently (unfortunately I cannot remember where), that displays the most popular colors used in logos and branding, as well as what your logo colors say about your business. I just had to pass it along.
As a logo designer, I have researched this information over the years in order to help me determine the best colors to use in my clients’ logos. This chart, created by Column Five, displays an integrated view of true colors.
Click on the image for the enlargement.
Since I have taken on the task of resurrecting my freelance career, I have been posting feverishly my latest illustrations in several locations with the hope that someone will like my work and ultimately hire me. While doing these posts, I realized that I made multiple mistakes that really may have hurt my marketing efforts. I am listing these errors so maybe it will help any new artists, as well as myself, overcome any further advertising missteps.
Take the illustration below. Although I was very please in how it turned out, in a marketing standpoint I realized that I made several mistakes.
Whenever I post a new image I always add the name of the work, a copyright and my name to the description of the image. Always a good idea. However, upon closer inspection I discovered any real lack of marketing my talents.